{"id":20108,"date":"2026-09-28T13:10:24","date_gmt":"2026-09-28T13:10:24","guid":{"rendered":"https:\/\/cmgmarrakech.com\/?page_id=20108"},"modified":"2026-09-28T13:18:28","modified_gmt":"2026-09-28T13:18:28","slug":"nabil-himich","status":"publish","type":"page","link":"https:\/\/cmgmarrakech.com\/en\/nabil-himich\/","title":{"rendered":"Nabil Himich"},"content":{"rendered":"
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Nabil Himich<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Photo : Abderrahmane Ajja<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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N\u00e9 en 1997 \u00e0 Mekn\u00e8s, Nabil Himich vit et travaille \u00e0 Marrakech. Dipl\u00f4m\u00e9 de l\u2019Institut National des Beaux-Arts de T\u00e9touan en 2020, il d\u00e9veloppe une pratique multidisciplinaire \u00e0 la crois\u00e9e de l\u2019architecture et de la litt\u00e9rature, qu\u2019il aborde comme des espaces politiques, sociaux et symboliques.<\/p>

\u00c0 travers la peinture, l\u2019installation, le dessin, l\u2019\u00e9criture, la sculpture et des formes participatives, son travail interroge la production de l\u2019espace, la territorialit\u00e9, les rapports de classe, les structures in\u00e9galitaires et les m\u00e9canismes de repr\u00e9sentation. Il mobilise notamment les notions de \u00ab con-texture \u00bb et d\u2019\u00ab archi-texture \u00bb comme outils de r\u00e9flexion sur la mani\u00e8re dont les lieux, les r\u00e9cits et les savoirs se construisent et se distribuent.<\/p>

Sa recherche accorde une place importante au contexte, \u00e0 la sp\u00e9cificit\u00e9 du site et aux conditions de l\u2019exp\u00e9rience. Elle explore les tensions entre int\u00e9rieur et ext\u00e9rieur, immobilit\u00e9 et d\u00e9placement, appartenance et d\u00e9racinement, en consid\u00e9rant l\u2019espace comme un mat\u00e9riau autant physique que narratif.<\/p>

Son travail a notamment \u00e9t\u00e9 pr\u00e9sent\u00e9 \u00e0 LE 18 \u00e0 Marrakech, au Malhoun Art Space, dans le cadre du programme Moussem \u00e0 Bruxelles, ainsi qu\u2019\u00e0 Helsinki. En 2025, il participe au projet 3oubour: A River Between Mountains, r\u00e9sidence et exposition reliant F\u00e8s et Londres autour des savoir-faire, des pratiques artisanales et des formes de connaissance situ\u00e9es.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tPROJECTS<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

2026<\/b>
<\/span>Exposition collective, <\/span>Arch\u00e9ologies<\/span><\/i>, commissari\u00e9e par Laila Hida et In\u00e8s Yahiaoui, Fondation Dar Bellarj \u2014 Marrakech, Maroc\u00a0<\/span><\/p>

2025<\/b>
<\/span>Exposition collective, <\/span>3oubour: A River Between Mountains<\/span><\/i>, The Arab British Centre, A.MAL Projects et Takafes, Crafts Council Gallery \u2014 Londres, Royaume-Uni <\/span>
<\/span>R\u00e9sidence, <\/span>3oubour x Lab X International Residency<\/span><\/i>, m\u00e9dina de F\u00e8s \u2014 F\u00e8s, Maroc\u00a0<\/span><\/p>

2024<\/b>
<\/span>Exposition collective \/ programme transnational, <\/span>Moussem Belgica \u2013 Histoires Transnationales<\/span><\/i>, Moussem, en partenariat avec des institutions culturelles de Tanger et Oujda \u2014 Tanger et Oujda, Maroc\u00a0<\/span><\/p>

2023<\/b>
<\/span>Installation participative, <\/span>Ours<\/span><\/i>, dans le cadre du programme <\/span>Charita \u2013 Mirages of Resistance<\/span><\/i>, commissionn\u00e9e par Francesca Mosereo et Rim Majdi, avec le soutien de Fondation Dar Bellarj \u2014 Marrakech, Maroc <\/span>
<\/span>Exposition collective, <\/span>The Promise of Trace<\/span><\/i>, Malhoun Art Space \u2014 Marrakech, Maroc <\/span>
<\/span>Projet, <\/span>Attempts in Localisation<\/span><\/i>, dans le cadre de <\/span>In Continuous Dialogue<\/span><\/i>, en collaboration avec Essi Pellikka, Oksasenkatu et Space for Free Arts, commissionn\u00e9 par Noora Lehtovuori et Joonas Pulkkinen \u2014 Helsinki, Finlande <\/span>
<\/span>R\u00e9sidence, <\/span>Windows Without Houses<\/span><\/i>, Moussem, dans le cadre du programme R\u00e9sidences crois\u00e9es Belgique\u2013Maroc \u2014 Bruxelles, Belgique\u00a0<\/span><\/p>

2022<\/b>
<\/span>Exposition collective, <\/span>Toutes les premi\u00e8res fois<\/span><\/i>, LE 18 \u2014 Marrakech, Maroc <\/span>
<\/span>Projet, <\/span>Attempts in Localisation<\/span><\/i>, dans le cadre de <\/span>In Continuous Dialogue<\/span><\/i>, en collaboration avec Essi Pellikka, Oksasenkatu et Space for Free Arts \u2014 Helsinki, Finlande\u00a0<\/span><\/p>

2021<\/b>
<\/span>Exposition \/ restitution de r\u00e9sidence, <\/span>Pli\u00e9, d\u00e9pliant<\/span><\/i>, LE 18 \u2014 Marrakech, Maroc <\/span>
<\/span>R\u00e9sidence, programme .No9ta, LE 18, en collaboration avec l\u2019Institut National des Beaux-Arts de T\u00e9touan \u2014 Marrakech, Maroc <\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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2026 :<\/strong>
https:\/\/projets.media\/11-must-see-exhibitions-in-marrakech\/<\/a>
https:\/\/fondation-darbellarj.com\/archeologies\/<\/a>

2025 :<\/strong>
https:\/\/www.artsadmin.co.uk\/profiles\/nabil-himich\/<\/a>
https:\/\/www.artsadmin.co.uk\/project\/3oubour-x-lab-x\/<\/a>

2024 :<\/strong>
https:\/\/www.moussem.be\/fr\/agenda\/moussem-belgica-histoires-transnationales-en-tanger-et-oujda<\/a>

2023 :<\/strong>
https:\/\/www.moussem.be\/fr\/residentes\/nabil-himich<\/a>

2021 :<\/strong>
https:\/\/le18marrakech.com\/contenus\/plie-depliant-33<\/a>
https:\/\/le18marrakech.com\/residences<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Related Exhibitions<\/h1>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Born in 1992, Kamil Bouzoubaa-Grivel is a Franco-Moroccan artist who lives and works between France and Morocco. He studied at the \u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs, the \u00c9cole des Beaux-Arts de Paris, and the School of the Art Institute of Chicago.\u00a0<\/p>\n

His practice explores the relationship between digital imagery and manual gesture. Drawing on forms, signs and structures derived from the digital realm, he develops a practice rooted in drawing and composition that blurs the boundaries between print and gesture, abstraction and illusion. His work examines the ways in which contemporary images are produced, translated, transformed and perceived.\u00a0<\/p>\n

His work has been presented in numerous institutions and art spaces in France, Belgium and Morocco, including Fondation Pernod Ricard, B\u00e9tonsalon \u2013 Centre for Art and Research, La Panac\u00e9e \u2013 MOCO, Fondation Fiminco, Centre Wallonie-Bruxelles and Fondation TGCC. He has also undertaken several international residencies, notably at the Cit\u00e9 Internationale des Arts and Villa Belleville in Paris, Fondation Boghossian \u2013 Villa Empain in Brussels, Jester in Genk, and Fondation Montresso in Marrakech.\u00a0<\/p>\n

Laur\u00e9at du Prix de dessin de la Fondation Hugot \u2013 Coll\u00e8ge de France en 2019, du Prix Takesada Matsutani en 2020 et du Prix Mustaqbal en 2024, Kamil Bouzoubaa-Grivel poursuit une recherche o\u00f9 dessin, mat\u00e9rialit\u00e9 et culture visuelle contemporaine se rencontrent.\u00a0<\/p>\n

In 2025, he presented the solo exhibition Sous les tesselles, la page at Artorium, curated by Hicham Bouzid, further extending his research into the translation of digital imagery into hand-produced forms.<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-20108","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t