{"id":7178,"date":"2022-03-08T14:06:47","date_gmt":"2022-03-08T14:06:47","guid":{"rendered":"https:\/\/cmgmarrakech.com\/?page_id=7178"},"modified":"2026-03-11T01:02:56","modified_gmt":"2026-03-11T01:02:56","slug":"mustapha-akrim","status":"publish","type":"page","link":"https:\/\/cmgmarrakech.com\/en\/mustapha-akrim\/","title":{"rendered":"Mustapha Akrim"},"content":{"rendered":"
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Mustapha Akrim<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Born in 1981 in Sal\u00e9, Mustapha Akrim graduated from the National Institute of Fine Arts in Tetouan in 2008. His various works are the result of social research, in particular on the world of construction and workers with a reflection closely linked to the principles of citizenship. Aware of Moroccan social realities, he is working to open \u201cseveral construction sites\u201d, mainly \u201cthat of memory\u201d, using his favourite material: concrete.<\/p>

His installations question, among other things, the nature of work and the difference between building and creating works of art in light of the constant changes in society. He is part of the generation of artists who are developing a new language in order to redefine the foundation of expression in visual arts in Morocco, seeking new freedom of expression by breaking with the aesthetics developed in the post-colonial period.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2008:<\/strong> Graduate of l\u2019Institut National des Beaux-Arts de T\u00e9touan, Morocco.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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2023: Exposition individuelle, Philomena+art & architecture platform, MARKT-MARIE – Vienne, Autriche
2022:<\/strong> \u201cPart-Of\u201d, Comptoir des Mines Galerie – Marrakech, Maroc<\/span>
2017:<\/strong> \u00ab Chantier II \u00bb, Comptoir des Mines Gallery \u2013 Marrakech, Morocco
2014:<\/strong> \u00ab Iqraa \u2013 work in progress \u00bb, Kulte Galerie & Editions \u2013 Rabat, Morocco.
2012:<\/strong> \u00ab Article (s) \u00bb, Galerie FJ \u2013 Casablanca, Morocco
2011:<\/strong> \u00ab Article 13 \u00bb, L\u2019appartement 22 \u2013 Rabat, Morocco<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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2025 :
<\/strong>\u00ab\u00a010 Ans d’une Exp\u00e9rience Artistique Singuli\u00e8re au Maroc\u00a0\u00bb, commissari\u00e9 par Hicham Daoudi, Comptoir des Mines Galerie – Marrakech, Maroc.
\u00ab\u00a010 Ans d’une Exp\u00e9rience Artistique Singuli\u00e8re au Maroc\u00a0\u00bb, exposition collective historique marquant les 10 ans du Comptoir des Mines Galerie, Galerie Bab Rouah \u2013 Rabat, Maroc.
\u00ab\u00a0From Morocco, With Love\u201d, exposition de la collection \u00c9lisabeth Bauchet-Bouhlal, curat\u00e9 par Hicham Daoudi, Palace Es Saadi – Marrakech, Maroc.
Exposition collective ‘WITNESSES’, Stand B4, Section principale, Art Dubai – Dubai, \u00c9mirats arabes unis.<\/span><\/b><\/p>

2024<\/b>:
\u201cLa Pens\u00e9e Cyclique\u201d, Comptoir des Mines Galerie, Art Dubai – Dubai, \u00c9mirats Arabes Unis.
<\/span>
2023<\/b>:
Exposition collective, Comptoir des Mines Galerie, Art Paris – Paris, France
<\/span>
2022<\/b>:
\u201cLe Pain Nu\u201d, Comptoir des Mines Galerie, Art Dubai – Dubai, \u00c9mirats Arabes Unis
<\/span>
2021<\/b>:
\u201cTrilogie Marocaine, 1950-202\u201d, Museo de la Reina Sof\u00eda, commissaire Manuel Borja-Villel Abdellah Karroum – Madrid, Espagne
<\/span>\u201cDistance Ardente\u201d, dans le cadre de Africa2020, commissaire Hicham Daoudi, MRAC (Mus\u00e9e R\u00e9gional d\u2019Art Contemporain) – S\u00e9rignan, France
<\/span>Exposition collective, Comptoir des Mines Galerie, Art Dubai – \u00c9mirats Arabes Unis
<\/span>
2020<\/b>:
\u201c\u00c9tat d\u2019Urgence\u201d, exposition collective, commissaire Hicham Daoudi, Collection Elisabeth Bauchet-Bouhlal – Marrakech, Maroc
<\/span>
2019<\/b>:
\u201cMiroir Collectif\u201d, Bank Al Maghrib en partenariat avec Comptoir des Mines Galerie – Rabat, Maroc
<\/span>\u201cMaterial Insanity\u201d, MACAAL – Marrakech, Maroc
<\/span>
2018<\/b>:
\u201cBrod\u2019Art\u201d, exposition collective et vente caritative en faveur de la Fondation Fadila El Gadi, Artorium – Casablanca, Maroc
<\/span>
2017<\/b>:
\u201cLettres Ouvertes, de la Calligraphie au Street Art\u201d, commissaire B\u00e9r\u00e9nice Saliou, ICI (Institut des Cultures d\u2019Islam) – Paris, France

2015<\/b>: \u201cNow\u201d, Galerie Shart – Casablanca, Maroc<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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2025 :
<\/strong>Jury, R\u00e9sidences d’\u00e9t\u00e9,\u00a0<\/span>L\u2019appartement 22 – Rabat, Maroc.
<\/span>
2024<\/strong>:<\/strong>
Rif Residences, en collaboration avec l\u2019Appartement 22 – Azyr, Maroc.<\/span><\/p>

2023<\/strong>:<\/strong>
R\u00e9sidence, Philomena+art & architecture platform – Vienne, Autriche.<\/span><\/p>

2022<\/strong>:<\/strong>
\u201cNature Morte\u201d, Cit\u00e9 Internationale des Arts de l\u2019Institut Fran\u00e7ais – Paris, France.<\/span><\/p>

2014<\/strong>:<\/strong>
\u201cMemory, Place, Desire\u201d, Haverford College, Pennsylvanie, \u00c9tats-Unis.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Fondation H \u2014 Antananarivo, Madagascar.
Dalloul Art Foundation \u2013 Beyrouth, Liban.
Sharjah Foundation \u2013 Sharjah, \u00c9mirats Arabes Unis.
Collection Elisabeth Bauchet-Bouhlal \u2013 Marrakech, Maroc.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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2026 :
<\/strong>https:\/\/www.artnewspaper.fr\/2026\/01\/21\/les-galeries-marocaines-souvrent-au-marche-mondial<\/a>

2025 :
<\/strong>https:\/\/www.diptykmag.com\/holiday-powers-le-modernisme-est-lie-aux-luttes-de-la-decolonisation\/<\/a>
https:\/\/www.diptykmag.com\/edito-73-les-voies-du-succes-sont-impenetrables\/<\/a>
https:\/\/aujourdhui.ma\/culture\/elle-devoile-une-exposition-collective-a-la-galerie-bab-rouah-le-comptoir-des-mines-fete-ses-10-ans-dactivite<\/a>
https:\/\/femmesdumaroc.com\/inspiration\/culture\/le-comptoir-des-mines-galerie-fete-ses-10-ans-a-rabat
<\/strong><\/a>https:\/\/www.artnewspaper.fr\/2025\/06\/19\/jnane-elisabeth-histoire-dune-collection <\/a>
<\/strong>https:\/\/femmesdumaroc.com\/inspiration\/culture\/jnan-elisabeth-un-ecrin-dedie-a-lart-au-palace-es-saadi<\/a>
<\/strong>https:\/\/www.diptykmag.com\/elisabeth-bauchet-bouhlal-une-collection-pour-lamour-de-lart\/<\/a>
https:\/\/www.vh.ma\/actualite-news-express-maroc\/retour-sur-art-dubai-2025-onze-artistes-marocains-onze-regards-sur-le-monde\/<\/a><\/p>

2024:
<\/strong>https:\/\/lobservateur.info\/article\/109953\/culture\/art-dubai-2024-les-artistes-marocains-ont-la-cote<\/span><\/a>,
<\/span>https:\/\/www.diptykmag.com\/art-dubai-plebiscite-les-artistes-marocains\/<\/span><\/a>, <\/span>https:\/\/www.lecho.be\/culture\/design\/art-dubai-l-art-du-sud-global\/10531000.html<\/span><\/a>\u00a0\u00a0
<\/span>https:\/\/selectionsarts.com\/hope-in-an-age-of-dystopia-at-the-dalloul-art-foundation\/<\/span><\/a>\u00a0
<\/span>https:\/\/lobservateur.info\/article\/109953\/culture\/art-dubai-2024-les-artistes-marocains-ont-la-cote<\/span><\/a>\u00a0
<\/span>https:\/\/new.dafbeirut.org\/contentFiles\/file\/2024\/06\/Art-Dubai-rides-its-buzz-to-strong-sales-of-contemporary-and-digital-works.pdf<\/span><\/a>\u00a0
<\/span>https:\/\/www.diptykmag.com\/art-dubai-plebiscite-les-artistes-marocains\/<\/span><\/a>\u00a0
<\/span>https:\/\/www.lecho.be\/culture\/design\/art-dubai-l-art-du-sud-global\/10531000.html<\/span><\/a>\u00a0
<\/span>https:\/\/www.thenationalnews.com\/arts-culture\/art-design\/2024\/03\/03\/art-dubai-2024-sales\/<\/span><\/a>\u00a0<\/span><\/p>

2023:
<\/strong><\/span>https:\/\/philomena.plus\/programme\/mustapha-akrim\/<\/span><\/a>, <\/span>https:\/\/rytsmonet.eu\/Exhibits<\/span><\/a>,
<\/span>https:\/\/fr.le360.ma\/culture\/unis-pour-le-maroc-une-vente-aux-encheres-solidaire-au-profit-des-victimes-du-seisme_7AU7ZYFJGBCNPFKPN5W4VVTNFQ\/<\/span><\/a>, <\/span>
https:\/\/www.lopinion.ma\/Rabat-Vente-aux-encheres-caritative-en-faveur-des-sinistres-du-seisme-d-Al-Haouz_a45747.html<\/span><\/a>,
<\/span>https:\/\/www.maroc-hebdo.press.ma\/youssef-douib-art-appartenance-nationale-solidarite<\/span><\/a>
https:\/\/selectionsarts.com\/the-custodian-preserving-the-past-inspiring-the-future-the-foundations-conservation-efforts-by-dr-basel-dalloul\/<\/span><\/a>\u00a0<\/span><\/p>

2022:
<\/strong>https:\/\/dafbeirut.org\/en\/MOUSTAPHA-AKRIM<\/span><\/a>\u00a0
<\/span>https:\/\/www.mashindia.com\/top-10-highlights-from-art-dubai-by-shalini-passi\/<\/span><\/a>\u00a0
<\/span>https:\/\/www.diptykmag.com\/wp-content\/uploads\/2022\/03\/Diptyk-Magazine-Special-Edition-Dubai_2022.pdf<\/span><\/a>\u00a0
<\/span>https:\/\/latribunedemarrakech.com\/elisabeth-bauchet-boulhal-tout-un-art\/<\/span><\/a>\u00a0
<\/span>https:\/\/www.artsy.net\/article\/artsy-editorial-10-best-booths-middle-eastern-galleries-art-dubai-20<\/span><\/a>22<\/span><\/a>\u00a0
<\/span>https:\/\/lematin.ma\/express\/2022\/comptoir-mines-galerie-rencontre-public-casablancais\/380937.html<\/span><\/a><\/p>

2021:
<\/strong>https:\/\/www.museoreinasofia.es\/en\/exhibitions\/moroccan-trilogy<\/span><\/a>, <\/span>https:\/\/selectionsarts.com\/curated-by-dr-abdellah-karroum\/<\/span><\/a>\u00a0
<\/span>https:\/\/elpais.com\/planeta-futuro\/2021-03-30\/cuando-el-vecino-marroqui-nos-cuenta.html<\/span><\/a>\u00a0
<\/span>https:\/\/fomo-vox.com\/2021\/02\/04\/rencontre-avec-clement-nouet-mrac-occitanie-africa-2020-vie-des-collections-et-defis-lances-par-la-crise\/<\/span><\/a>\u00a0
<\/span>https:\/\/editions-in-extenso.com\/wp-content\/uploads\/woocommerce_uploads\/2021\/09\/PDA-67-light.pdf<\/span><\/a>\u00a0<\/span><\/p>

2020:
<\/strong>https:\/\/aujourdhui.ma\/culture\/france-des-artistes-marocains-participent-a-une-exposition-collective<\/span><\/a>\u00a0
<\/span>https:\/\/lobservateur.info\/article\/19080\/Culture\/saison-africa2020-des-artistes-marocains-participent-a-lexposition-distance-ardente-<\/span><\/a>\u00a0
<\/span>https:\/\/lematin.ma\/journal\/2020\/etat-durgence-artistes-sinquietent-lavenir-terre-lhomme\/332295.html<\/span><\/a>\u00a0<\/span><\/p>

2019:
<\/strong>https:\/\/www.leconomiste.com\/node\/1046629<\/span><\/a>, <\/span>https:\/\/www.diptykmag.com\/les-artistes-auront-toujours-30-ans\/<\/span><\/a>, <\/span>https:\/\/ledesk.ma\/culture\/lexposition-miroir-collectif-fait-dialoguer-les-artistes-au-dela-des-ages\/<\/span><\/a>, <\/span>Dossier de presse<\/span><\/a>, <\/span>https:\/\/lematin.ma\/journal\/2019\/miroir-collectif-letablissement-d-dialogue-artistique-entre-generations-plastiques\/318117.html<\/span><\/a>, <\/span>https:\/\/mobile.ledesk.ma\/culture\/lexposition-miroir-collectif-fait-dialoguer-les-artistes-au-dela-des-ages\/<\/span><\/a>, <\/span>https:\/\/www.bkam.ma\/musee\/Decouvrir-le-musee\/Agenda-culturel<\/span><\/a>, <\/span>https:\/\/aujourdhui.ma\/culture\/miroir-collectif-au-musee-de-bam-une-exposition-qui-souvre-par-le-portrait-de-feu-sm-mohammed-v#google_vignette<\/span><\/a>, <\/span>https:\/\/macaal.org\/wp-content\/uploads\/2021\/05\/Brochure-Fondation-Alliances.pdf<\/span><\/a>\u00a0<\/span><\/p>

2018 :
<\/strong>https:\/\/latribunedemarrakech.com\/comptoir-des-mines-galerie-detecteur-de-talents\/<\/span><\/a>\u00a0
<\/span>https:\/\/ledesk.ma\/culture\/mare-nostrum-regard-critique-sur-la-mediterranee\/<\/span><\/a>\u00a0
<\/span>https:\/\/femmesdumaroc.com\/archives\/brodart-une-exposition-au-profit-de-la-fondation-fadila-el-gadi<\/span><\/a>\u00a0
<\/span>https:\/\/aujourdhui.ma\/culture\/philanthropie-brodart-une-expo-vente-a-caractere-caritatif<\/span><\/a>\u00a0
<\/span>https:\/\/actuelles.ma\/brodart-lexpo-vente-profit-de-fondation-fadila-el-gadi\/<\/span><\/a>\u00a0<\/span><\/p>

2017:<\/strong>
<\/span>https:\/\/www.institut-cultures-islam.org\/expositions\/lettres-ouvertes-de-la-calligraphie-au-street-art\/<\/span><\/a>\u00a0<\/span><\/p>

2015:<\/strong>
<\/span>https:\/\/aujourdhui.ma\/culture\/exposition-now-a-la-galerie-shart-a-casablanca-dix-artistes-dexception-exposent-leurs-creations-116956#google_vignette<\/span><\/a>, <\/span>https:\/\/www.lepoint.fr\/culture\/peinture-mustapha-akrim-un-dialogue-entre-passe-et-present-18-12-2015-2003880_3.php#11<\/span><\/a>\u00a0<\/span><\/p>

2014:<\/strong>
<\/span>https:\/\/exhibits.haverford.edu\/memoryplacedesire\/2014\/03\/21\/mustapha-akrim-at-haverford\/<\/span><\/a>\u00a0<\/span><\/p>

2013:<\/strong>
<\/span>https:\/\/centrale.brussels\/en\/expos\/travail-mode-demploi\/<\/span><\/a>\u00a0<\/span><\/p>

Autres
<\/strong>2024:
<\/strong>https:\/\/www.tuljak.com\/blog\/marrakesh-beyond-the-medina<\/span><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Related Exhibitions<\/h1>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201c10 years\u201d<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Mariam Abouzid Souali, Mohamed Arejdal, Mustapha Akrim, Khalil Nemmaoui, Larbi Cherkaoui, Fatiha Zemmouri, Amina Azreg, Simohammed Fettaka, Latifa Toujani, Sara Ouhaddou, Diadji Diop, Hassan Darsi, Abdallah El Hariri, Bachir Demnati, Mohammed Kacimi, Aymane Errachidi, Yasmina Alaoui, Khadija Jayi, Mouhcine Rahaoui, Hassan Bourkia, Loutfi Souidi, Ilias Elhaddioui, Bachir Demnati, Safae El Kadi<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Du 17 Octobre au 31 Octobre \"Prolong\u00e9e jusqu'au 20 Novembre\"<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\u201c10 years\u201d<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Mariam Abouzid Souali, Mohamed Arejdal, Mustapha Akrim, Khalil Nemmaoui, Larbi Cherkaoui, Fatiha Zemmouri, Amina Azreg, Simohammed Fettaka, Latifa Toujani, Sara Ouhaddou, Diadji Diop, Hassan Darsi, Abdallah El Hariri, Bachir Demnati, Mohammed Kacimi, Aymane Errachidi, Yasmina Alaoui, Khadija Jayi, Mouhcine Rahaoui, Hassan Bourkia<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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25 - 30 September 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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Zsonamaco 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Mohamed Melehi, Mohammed Kacimi, Bachir Demnati, Mohamed Arejdal, Mustapha Akrim, Fatiha Zemmouri, Mouhcine Rahaoui, Khadija Jayi<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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5 \u2013 9 F\u00e9vrier 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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Comptoir des Mines at Art Dubai\u00a02024<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Sara Ouhaddou, Fatiha Zemmouri, Khadija Jayi, Mustapha Akrim, Hassan Darsi<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Du 28 f\u00e9vrier au 3 mars 2024<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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Exposition D\u00e9cembre 2023 | Yasmina Alaoui, Mohamed Arejdal, Diadji Diop, Mustapha Akrim, Fatiha Zemmouri<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Yasmina Alaoui, Mohamed Arejdal, Diadji Diop, Mustapha Akrim, Fatiha Zemmouri<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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28 D\u00e9cembre 2023<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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Comptoir des Mines at Art Paris\u00a02023<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Mustapha Akrim, Mohamed Arejdal, Khadija Jayi, Mouhcine Rahaoui, Fatiha Zemmouri<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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30 March \u2014 2 April 2023<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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Part-Of \/ \u062c\u0632\u0621 \u0645\u0646<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Mustapha Akrim<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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28 December 2022 \u2014 25 February 2023<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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African Poetry<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Group show<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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21 February \u2014 22 April 2019<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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Mare Nostrum<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Group show<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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10 December 2018 \u2014 9 February 2019<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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Chantier II<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Mustapha Akrim<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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20 November 2017 \u2014 10 January 2018<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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Travers\u00e9es \/ Crossings<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Group show<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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22 February \u2014 10 April 2019<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Mustapha Akrim N\u00e9 en 1981 \u00e0 Sal\u00e9, Mustapha Akrim est dipl\u00f4m\u00e9 de l\u2019Institut National des Beaux-Arts de T\u00e9touan en 2008. Ses diff\u00e9rents travaux sont le…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-7178","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/pages\/7178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/comments?post=7178"}],"version-history":[{"count":0,"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/pages\/7178\/revisions"}],"wp:attachment":[{"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/media?parent=7178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}