{"id":7454,"date":"2022-03-09T03:17:34","date_gmt":"2022-03-09T03:17:34","guid":{"rendered":"https:\/\/cmgmarrakech.com\/?page_id=7454"},"modified":"2026-03-11T00:59:56","modified_gmt":"2026-03-11T00:59:56","slug":"mohammed-kacimi","status":"publish","type":"page","link":"https:\/\/cmgmarrakech.com\/en\/mohammed-kacimi\/","title":{"rendered":"Mohammed Kacimi"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Mohammed Kacimi<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Mohammed Kacimi (1942 \u2013 2003) est l\u2019un des plus importants plasticiens du Maroc d\u2019apr\u00e8s-guerre. Tr\u00e8s influenc\u00e9 par la mer, le d\u00e9sert et ses origines. Il fait de l\u2019art marocain quelque chose d\u2019enti\u00e8rement nouveau. Apr\u00e8s avoir emprunt\u00e9, d\u00e8s le d\u00e9but des ann\u00e9es 1970, les pistes de la peinture occidentale et de l\u2019abstraction, il se tournera vers le continent africain, comme source de son originalit\u00e9 et garant d\u2019une expression nouvelle, personnelle et sans contrainte.\u00a0<\/p>

Peinture, sculpture, performance, th\u00e9\u00e2tre, danse, musique, installation in situ, Kacimi se d\u00e9multiplie tout au long de son parcours. Ces diff\u00e9rentes \u00ab phases \u00bb, avec d\u2019abord les marches et la qu\u00eate d\u2019une abstraction originale, puis les oc\u00e9anides, les travers\u00e9es, la s\u00e9rie Sh\u00e9h\u00e9razade, jusqu\u2019au temps des conteurs et d\u2019autres exp\u00e9riences africaines, constituent \u00e0 chaque fois une aventure originale. Artiste de la transition, ses voyages entre son pays, le Maghreb, le Machrek, l\u2019Europe et l\u2019Afrique, ainsi que ses passages d\u2019une discipline \u00e0 l\u2019autre, le m\u00e8nent rapidement \u00e0 une notori\u00e9t\u00e9 internationale.\u00a0<\/p>

Peintre de la couleur, chantre du bleu et de l\u2019ocre, tent\u00e9 par le noir, Mohammed Kacimi s\u2019inscrit dans l\u2019histoire de l\u2019art comme en interpr\u00e8te de l\u2019existence et de notre condition humaine. Il a recherch\u00e9 dans ses \u0153uvres la r\u00e9conciliation entre une vision tragique de son \u00e9poque et son app\u00e9tence au bonheur.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMAIN GROUP SHOWS<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

2025 :
<\/strong>Abu Dhabi Art, Manarat Al Saadiyat – Abu Dhabi, \u00c9mirats Arabes Unis.
\u00ab\u00a0ART FROM THE MAGHREB – Case studies from the DAF collection\u00ab\u00a0, exposition collective de la collection Dalloul Art Foundation curat\u00e9e par Wafa Roz, Dalloul Art Foundation – Beyrouth, Liban.<\/span>
\u00ab\u00a010 Ans d’une Exp\u00e9rience Artistique Singuli\u00e8re au Maroc\u00a0\u00bb, commissari\u00e9 par Hicham Daoudi, Comptoir des Mines Galerie – Marrakech, Maroc.
\u00ab\u00a010 Ans d’une Exp\u00e9rience Artistique Singuli\u00e8re au Maroc\u00a0\u00bb, exposition collective historique marquant les 10 ans du Comptoir des Mines Galerie, Galerie Bab Rouah \u2013 Rabat, Maroc.
\u00ab\u00a0Horizon(s) en mouvement, Cent ans de qu\u00eates artistiques au Maroc 1920-2020\u00a0\u00bb, exposition collective, Mus\u00e9e d’art Moderne et Contemporain Mohammed VI – Rabat, Maroc.
\u00ab\u00a0From Morocco, With Love\u201d, exposition de la collection \u00c9lisabeth Bauchet-Bouhlal, curat\u00e9 par Hicham Daoudi, Palace Es Saadi – Marrakech, Maroc.
‘WITNESSES’, Stand B4, Section principale, Art Dubai – Dubai, \u00c9mirats Arabes Unis.
\u2018Back to Mexico\u2019, Stand E101, Art contemporain, ZSONAMACO, Mexico, Mexique.<\/span>
2024<\/b>:
\u00ab\u00a0MELEHI \u00b7 BELKAHIA \u00b7 KACIMI\u00a0\u00bb, exposition collective du Comptoir des Mines Galerie, Foire Editions Art & Design, Dubai.
\u201c110 ans, 110 oeuvres\u201d, exposition collective de la collection de la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale, la Fondation Nationale des Mus\u00e9es (FNM), commissaire M. El Idrissi, Mus\u00e9e Mohammed VI – Rabat, Maroc.
<\/span>2023<\/b>:
\u201cThe Casablanca Art School\u201d, exposition collective, commissaire Morad Montazami et Madeleine de Colnet, en collaboration avec Anne Barlow (Directrice, Tate St Ives) et Giles Jackson (Assistant curateur, Tate St Ives), organis\u00e9 par la Tate – St Ives, Angleterre – Sharjah Art Foundation, \u00c9mirats Arabes Unis – Frankfurt, Allemagne.
<\/span>2022:
<\/b>Art Dubai, exposition collective avec le Comptoir des Mines Galerie, BOOTH D-2 & M-2 – Duba\u00ef, \u00c9mirats arabes unis.
<\/span>2021 :
<\/strong>\u201cTrilogie Marocaine, 1950-202\u201d, Museo de la Reina Sof\u00eda, commissaire Manuel Borja-Villel Abdellah Karroum – Madrid, Espagne.
<\/span>\u201cDistance Ardente\u201d, dans le cadre de Africa2020, commissaire Hicham Daoudi, MRAC (Mus\u00e9e R\u00e9gional d\u2019Art Contemporain) – S\u00e9rignan, France.
<\/span>2020 :<\/strong>
\u201c\u00c9tat d\u2019Urgence\u201d, exposition collective, commissaire Hicham Daoudi, Collection Elisabeth Bauchet-Bouhlal – Marrakech, Maroc.
<\/span>2019 :<\/strong>
Exposition \u00abMus\u00e9e Imaginaire\u00bb, Ancienne agence Bank Al-Maghrib, Place Jama\u00e2 El Fna, Marrakech organis\u00e9e par Art Holding Morocco, Marrakech Maroc.
\u201cMiroir Collectif\u201d, Bank Al Maghrib en partenariat avec Comptoir des Mines Galerie – Rabat, Maroc.<\/span>
2018 :<\/strong>
\u00abTHAT FEVERISH LEAP INTO THE FIERCENESS OF LIFE\u00bb, Art Dubai, MiSK Art Institute, Dubai, UAE.
\u201cBrod\u2019Art\u201d, exposition collective et vente caritative en faveur de la Fondation Fadila El Gadi, Artorium – Casablanca, Maroc
<\/span>2014 :<\/strong>
Mus\u00e9e Mohammed VI d\u2019Art Moderne et Contemporain. Institut du Monde Arabe.
2001 :<\/strong>
\u00ab Maroc contemporain Peinture et Livres d\u2019artiste \u00bb, De Markten, Bruxelles.
1998 :<\/strong>
Mus\u00e9e d\u2019Art Moderne, Paris.
1996 :<\/strong>
Biennale internationale de Dakar.
1995 :<\/strong>
\u00abLa peinture marocaine dans les collections
fran\u00e7aises\u00bb, BMCE, Paris.
1993 :<\/strong>
5\u1d49 Biennale internationale, Le Caire (1er prix)
1989 :<\/strong>
Galerie Etienne Dinet, Paris.
Mus\u00e9e provincial, Li\u00e8ge Ostende.
1987 :<\/strong>
Arab Contemporary Art, Londres.
Exposition internationale, Baghdad.
1985 :<\/strong>
Mus\u00e9e des Arts africains et oc\u00e9aniens, Paris.
Foire de B\u00e2le.
1983 :<\/strong>
Peinture marocaine, Kowe\u00eft.
URSS Walt Disney Hall, Californie.
1965-81 :<\/strong>
Expositions, biennales et festivals Madrid, Montr\u00e9al, Alger, Copenhague, Paris, Essaouira, F\u00e8s, Nador, Bijeka, Kowe\u00eft, Bonn, Barcelone, Tunis, Rabat, Mekn\u00e8s et Londres.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMAIN SOLO SHOWS<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

2018-19 Exposition \u00ab Transition Africaine 1993-2003 \u00bb, MuCEM, Marseille, France.
2018 Exposition \u00abMus\u00e9e Imaginaire\u00bb, Ancienne agence Bank Al-Maghrib, Place Jama\u00e2 El Fna, Marrakech, organis\u00e9e par Art Holding Morocco.
2017 \u00abUn parfum de libert\u00e9\u00bb, CM Galerie, Marrakech, Maroc.
2016 \u00abR\u00e9sistance\u00bb, CMOOA, Casablanca 2014 \u00abKacimi, l\u2019Africain\u00bb, CMOOA, Casablanca, Maroc.
2013 \u00ab\u00a0Kacimi : l’art comme geste extr\u00eame\u00a0\u00bb, exposition hommage, Mus\u00e9e Bank Al Maghrib \u2014 Rabat, Maroc.
2010 \u00abHommage \u00e0 Mohammed Kacimi\u00bb, Espace Expressions CDG, Rabat, Maroc.
2002-03 \u00abMohammed Kacimi\u00bb, Al Riwaq Art Gallery, Bahrein.
2002 Galerie Florence Touber, Paris.
Atelier Porte 2 A, Bordeaux.
Institut fran\u00e7ais, Dakar.
1998 Galerie Le Bateau-Lavoir, Grenoble.
1996 Maison de la culture, Bourges ; Amiens, France.
1994 Atelier ouvert, H\u00f4pital Eph\u00e9m\u00e8re, Paris, France.
1990 Galerie Huit, Poissy. Galerie Nadar, Casablanca, Maroc.
1988 Mus\u00e9e de l\u2019Institut du Monde Arabe, Paris, France.
1987 Galerie Alif-Ba, Casablanca, Maroc.
1985 Centre Bonlieu, Annecy, France.
Galerie Jean-Claude David, Grenoble, France.
1984 Galerie de la F.O.L., Montpellier, France.
1982 Galerie Nadar, Casablanca, Maroc.
Galerie de l\u2019Office de Tourisme, Marrakech, Maroc.
1981 Deutsche Bank AG, Bonn, Allemagne.
Galerie Centrale, Gen\u00e8ve, Suisse.
1977-78 Galerie Nadar, Casablanca, Maroc.
1975 Galerie Nadar, Casablanca, Maroc.
Galerie l\u2019Atelier, Rabat, Maroc.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tPUBLIC COLLECTIONS<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

– Mus\u00e9e Mohammed VI, Rabat, Maroc.
– Collection Elisabeth Bauchet-Bouhlal, Maroc.
<\/span>– Guggenheim Abu Dhabi.
– Mus\u00e9e Mathaf, Doha, Qatar.
– Collection Dr Ramzi Dalloul, Beyrouth – Mus\u00e9e Bank Al-Maghrib, Rabat.
– Fondation ONA, Casablanca
– Soci\u00e9t\u00e9 G\u00e9n\u00e9rale Marocaine de Banques, Casablanca.
– Fonds Municipal d\u2019Art Contemporain de la ville de Paris.
– Institut du Monde Arabe.
– Mus\u00e9e d\u2019Art Contemporain du Val-de-Marne.
– Smithsonian Washington D.C.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAWARDS & BIENNIALS<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

– 1999 D\u00e9coration de l\u2019Ordre du M\u00e9rite National par SM Mohammed VI-
– 1998 7e Biennale du Caire (Premier Prix) 1997 Invit\u00e9 \u00e0 la Biennale de Johannesburg, Afrique du Sud.
– 1996 Biennale internationale de Dakar.
– 1995 Cinqui\u00e8me Biennale internationale du Caire, Egypte (Premier Prix).
– 1994 Quatri\u00e8me Biennale internationale du Pastel, St Quentin, France (Premier Prix).
– 1993 Biennale de Dakar.
– Quatri\u00e8me Biennale du Caire (Prix d\u2019Honneur).<\/p><\/div><\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tPRESSE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

2026 :
<\/strong>https:\/\/www.artnewspaper.fr\/2026\/01\/21\/les-galeries-marocaines-souvrent-au-marche-mondial<\/a>

2025 :
<\/strong>https:\/\/barlamane.com\/fr\/paris-don-de-trois-oeuvres-de-feu-mohamed-kacimi-musee-mohammed-vi-de-rabat\/<\/a>
https:\/\/tourismenews.ma\/comptoir-des-mines-galerie-abu-dhabi-art-2025\/<\/a>
https:\/\/albayane.press.ma\/une-participation-inaugurale-pour-le-comptoir-des-mines-galerie.html<\/a>
https:\/\/tourismenews.ma\/comptoir-des-mines-galerie-abu-dhabi-art-2025\/<\/a>
<\/strong>https:\/\/fr.le360.ma\/culture\/save-the-date-de-casablanca-a-abu-dhabi-lart-marocain-sillustre-a-la-cmooa-et-au-comptoir-des-mines_3WC7VCH4PRHP3CAXKTGQOMPKD4\/<\/a>
https:\/\/dafbeirut.org\/exhibitions\/art-maghreb-case-studies-daf-collection<\/a>
https:\/\/fr.le360.ma\/culture\/dix-ans-du-comptoir-des-mines-une-decennie-dart-et-dengagement-celebree-a-rabat_RFBCJJGZDZAY5HJNOMSNNMTMW4\/ <\/a>
<\/strong>https:\/\/aujourdhui.ma\/culture\/elle-devoile-une-exposition-collective-a-la-galerie-bab-rouah-le-comptoir-des-mines-fete-ses-10-ans-dactivite<\/a>
<\/strong>https:\/\/fr.le360.ma\/culture\/inedit-63-oeuvres-dartistes-majeurs-marocains-exposees-au-sein-du-mmvi-font-leur-entree-dans-la_3XN5HI4RPZEBHBH3WNJMYHYLDA\/ <\/a>
https:\/\/www.diptykmag.com\/le-mmvi-presente-son-nouvel-accrochage-permanent\/<\/a>
https:\/\/www.artnewspaper.fr\/2025\/06\/19\/jnane-elisabeth-histoire-dune-collection<\/a>
<\/strong>https:\/\/femmesdumaroc.com\/inspiration\/culture\/jnan-elisabeth-un-ecrin-dedie-a-lart-au-palace-es-saadi <\/a>
https:\/\/www.diptykmag.com\/elisabeth-bauchet-bouhlal-une-collection-pour-lamour-de-lart\/<\/a>
https:\/\/www.vh.ma\/actualite-news-express-maroc\/retour-sur-art-dubai-2025-onze-artistes-marocains-onze-regards-sur-le-monde\/<\/a><\/p>

2024 <\/strong>:<\/strong>
<\/span>https:\/\/www.sgmaroc.com\/pdf\/cp\/2023\/cp-110-ans-110-oeuvres.pdf<\/span><\/a>\u00a0<\/span><\/p>

2023 <\/strong>:<\/strong>
<\/span>https:\/\/www.tate.org.uk\/whats-on\/tate-st-ives\/casablanca-art-school<\/span><\/a>, <\/span>https:\/\/www.christies.com\/en\/stories\/casablanca-art-school-moroccan-modernism-8d87b47d36034505b5d6e446fd99d80d<\/span><\/a> , <\/span>https:\/\/sharjahart.org\/sharjah-art-foundation\/exhibitions\/the-casablanca-art-school-platforms-and-patterns-for-a-postcolonial-av<\/span><\/a>, <\/span>https:\/\/www.schirn.de\/en\/exhibitions\/2024\/casablanca_art_school\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/selectionsarts.com\/the-custodian-from-the-vaults-hidden-treasures-revealed-interview-with-wafa-roz\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/selectionsarts.com\/the-custodian-preserving-the-past-inspiring-the-future-the-foundations-conservation-efforts-by-dr-basel-dalloul\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/www.diptykmag.com\/110-ans-110-oeuvres-une-traversee-patrimoniale-au-mmvi\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/lematin.ma\/videos\/societe-generale-maroc-celebre-lart-et-la-culture-au-mmvi\/199981<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/aujourdhui.ma\/culture\/exposition-au-mmvi-societe-generale-maroc-fete-ses-110-ans-dexistence#google_vignette<\/span><\/a>\u00a0<\/span><\/p>

M\u00e9c\u00e9nat culturel: Soci\u00e9t\u00e9 G\u00e9n\u00e9rale Maroc s’allie avec la …luxe-infinity-maroc.comhttps:\/\/luxe-infinity-maroc.com \u203a culture \u203a societe-gener…<\/span><\/a><\/p>

2022 <\/strong>:<\/strong>
<\/span>https:\/\/selectionsarts.com\/art-dubai-modern-2022\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/www.diptykmag.com\/wp-content\/uploads\/2022\/03\/Diptyk-Magazine-Special-Edition-Dubai_2022.pdf<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/lematin.ma\/express\/2022\/comptoir-mines-galerie-rencontre-public-casablancais\/380937.html<\/span><\/a><\/p>

2021 <\/strong>:<\/strong>
<\/span>https:\/\/www.museoreinasofia.es\/en\/exhibitions\/moroccan-trilogy<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/www.marhaba.qa\/largest-survey-of-contemporary-culture-from-morocco-on-showcase-in-madrid\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/ledesk.ma\/culture\/marrakech-la-galerie-comptoir-des-mines-reprend-ses-expositions\/<\/span><\/a>\u00a0<\/span><\/p>

2020 <\/strong>:<\/strong>
<\/span>https:\/\/lematin.ma\/journal\/2020\/etat-durgence-artistes-sinquietent-lavenir-terre-lhomme\/332295.html<\/span><\/a>\u00a0<\/span><\/p>

2019 <\/strong>:<\/strong>
<\/span>https:\/\/www.bkam.ma\/musee\/Decouvrir-le-musee\/Agenda-culturel<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/www.diptykmag.com\/les-artistes-auront-toujours-30-ans\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/ledesk.ma\/culture\/lexposition-miroir-collectif-fait-dialoguer-les-artistes-au-dela-des-ages\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/lematin.ma\/journal\/2019\/miroir-collectif-letablissement-d-dialogue-artistique-entre-generations-plastiques\/318117.html<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/www.leconomiste.com\/node\/1046629<\/span><\/a>\u00a0<\/span><\/p>

2018 : <\/strong>
https:\/\/www.diptykmag.com\/se-rappeler-jamaa-el-fna\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/ledesk.ma\/culture\/50-ans-apres-le-mouvement-de-casablanca-de-retour-jamaa-el-fna\/<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/femmesdumaroc.com\/archives\/brodart-une-exposition-au-profit-de-la-fondation-fadila-el-gadi<\/span><\/a>\u00a0<\/span><\/p>

https:\/\/aujourdhui.ma\/culture\/philanthropie-brodart-une-expo-vente-a-caractere-caritatif<\/span><\/a><\/p>

https:\/\/actuelles.ma\/brodart-lexpo-vente-profit-de-fondation-fadila-el-gadi\/<\/span><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t

Related Exhibitions<\/h1>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n \t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Abu Dhabi Art 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mohammed Kacimi, Latifa Toujani, Fatiha Zemmouri, Hassan Darsi, Khadija Jayi, Larbi Cherkaoui, Mouhcine Rahaoui, Yasmina Alaoui<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

From 17 to 23 November 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

\u201c10 years\u201d<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mariam Abouzid Souali, Mohamed Arejdal, Mustapha Akrim, Khalil Nemmaoui, Larbi Cherkaoui, Fatiha Zemmouri, Amina Azreg, Simohammed Fettaka, Latifa Toujani, Sara Ouhaddou, Diadji Diop, Hassan Darsi, Abdallah El Hariri, Bachir Demnati, Mohammed Kacimi, Aymane Errachidi, Yasmina Alaoui, Khadija Jayi, Mouhcine Rahaoui, Hassan Bourkia, Loutfi Souidi, Ilias Elhaddioui, Bachir Demnati, Safae El Kadi<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Du 17 Octobre au 31 Octobre \"Prolong\u00e9e jusqu'au 20 Novembre\"<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

\u201c10 years\u201d<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mariam Abouzid Souali, Mohamed Arejdal, Mustapha Akrim, Khalil Nemmaoui, Larbi Cherkaoui, Fatiha Zemmouri, Amina Azreg, Simohammed Fettaka, Latifa Toujani, Sara Ouhaddou, Diadji Diop, Hassan Darsi, Abdallah El Hariri, Bachir Demnati, Mohammed Kacimi, Aymane Errachidi, Yasmina Alaoui, Khadija Jayi, Mouhcine Rahaoui, Hassan Bourkia<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

25 - 30 September 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Art Dubai\u00a02025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mustapha Akrim, Mohamed Arejdal, Khadija Jayi, Mohammed Kacimi, Fatiha Zemmouri<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

18-20 April 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Zsonamaco 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mohamed Melehi, Mohammed Kacimi, Bachir Demnati, Mohamed Arejdal, Mustapha Akrim, Fatiha Zemmouri, Mouhcine Rahaoui, Khadija Jayi<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

5 \u2013 9 F\u00e9vrier 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mohammed Kacimi : 1994-2003, une \u0153uvre universelle<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mohammed Kacimi<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

28 D\u00e9cembre 2024 - 15 Janvier 2025<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Editions Art & Design 2024<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mohamed Melehi, Mohammed Kacimi, Farid Belkahia<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

6 - 9 November 2024<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

L’\u0153uvre\u00a0r\u00e9v\u00e9l\u00e9e<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mohammed Kacimi<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

28 December 2021 \u2014 09 February 2022<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Resistance of a promise<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Group show<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

14 July \u2014 20 September 2020<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

African Poetry<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Group show<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

21 February \u2014 22 April 2019<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Un parfum de libert\u00e9…<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Mohammed Kacimi<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

30 December 2017 \u2014 10 February 2018<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Mohammed Kacimi Mohammed Kacimi (1942 \u2013 2003) est l\u2019un des plus importants plasticiens du Maroc d\u2019apr\u00e8s-guerre. Tr\u00e8s influenc\u00e9 par la mer, le d\u00e9sert et ses…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-7454","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/pages\/7454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/comments?post=7454"}],"version-history":[{"count":0,"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/pages\/7454\/revisions"}],"wp:attachment":[{"href":"https:\/\/cmgmarrakech.com\/en\/wp-json\/wp\/v2\/media?parent=7454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}